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Giant Bucket Hats: in fashion from Belle Époque to 2020

Giant Bucket Hats: in fashion from Belle Époque to 2020

Cappelli enormi, stravaganti, che agli albori dello scorso secolo facevano apparire le donne simili a colorati funghi e fiori eleganti. Questa tipologia di copricapo, dalla forma a grande casco rovesciato, ha ripreso linfa nel corso del ‘900 per tornare in auge durante questi ultimi anni. Pressoché disattesa la proposta di Louis Vuitton nella sua fall winter del 2012, il “Bucket Hat” è stato rielaborato da Marc Jacobs e Coach 1941 nella fw del 2017, per riapparire pressoché identico nella collezione Nina Ricci e Dior dell’autunno inverno 2019 – 2020. Ecco una mia accurata selezione per voi.

Giant, extravagant hats, which at the dawn of the last century made women look like colorful mushrooms and elegant flowers. This type of headgear, with a large inverted bucket shape, has taken on new life during the 1900s to come back into vogue during these last few years. Louis Vuitton’s proposal in his 2012 fall winter was almost completely dismissed, the “Bucket Hat” was reworked by Marc Jacobs and Coach 1941 in the fw of 2017, to reappear almost identical in the Nina Ricci and Dior collection of autumn winter 2019 – 2020 Here is an accurate selection I made for you.

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Giant Hat trimmed in fur and Aigrettes. 1911, the beautiful model reminds me Coco Chanel.
Giant Bucket hat, year 1911
Still from Belle Epoque, a young model wearing a Giant Hat.
Louis Vuitton fall winter 2012
Louis Vuitton fall winter 2012
Louis Vuitton fall winter 2012
 Winnie Harlow for Coach 1941 fall winter 2017
Marc Jacobs fall winter 2017
Nina Ricci fall winter 2019 2020
Bucket Hat from Dior fall winter 2019 2020

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CHAPEAU from 1959 to 2019

CHAPEAU from 1959 to 2019

Il mio lavoro mi porta con frequenza a riscontrare similitudini, copie e brutte copie di abiti e accessori del passato, riproposte nel contemporaneo. Uso il termine “contemporaneo” invece di “moderno” perché ritengo più innovativi gli originali delle copie. Oggi vi mostro il copricapo in pizzo a falda larga sul viso, realizzato per Valentino fall winter 2019 – 2020 e indossato in passerella da Kaia Gerber. Lo stesso design, in tessuto trasparente, fu proposto nel 1959 da Nina Ricci. La modella nelle foto sotto indossa infatti un abito con copricapo chiamato “Jeasmine” e realizzato dal designer Jules-François Crahay (1917–1988), a Belgian-born French fashion artist who worked for the fashion house from 1952 to 1963 . Più sotto una creazione di per Adolfo Sardinia per Emme, sempre dal 1959.

My work frequently leads me to find similarities, copies and bad copies of clothes and accessories of the past re-proposed in the contemporary. I use the term “contemporary” instead of “modern” because I consider the originals of the copies to be more innovative. Today I show you the wide-brimmed lace headgear on the face, created for Valentino fall winter 2019 – 2020 and worn on the catwalk by Kaia Gerber. The same design, in semi-transparent fabric, was proposed in 1959 by Nina Ricci. In fact, the model in the picture below wears a dress together with an hat, called “Jeasmine” and made by the designer Jules-François Crahay (1917–1988), Belgian-born French fashion artist who worked for the fashion house from 1952 to 1963. Last pic: a creation of Adolfo Sardinia for Emme, 1959.

© COPYRIGHT: Luciano Lapadula

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Kaia Gerber in Valentino fw 2019/2020
“Jeasmine” model by NINA RICCI
Adolfo Sardinia hat for Emme