90s Make-Up: the guide: make-up history from 1994 to 1996
Eccoci quindi alla seconda parte relativa alla storia del trucco anni ’90. In quest analizzo per voi la storia del Make-Up del 1994, 1995, 1996.
Sono diverse le tendenze, gli stili si sovrappongono, ma ci sono degli evidenti punti fermi:
Il minimalismo avanza, conducendoci verso il 2000, il trucco si fa sempre più naturale, andando verso il Make-Up no Make-Up
“Bon Chic Bon Genre” per un aspetto elegante senza eccessi
Il vintage impera. Si assiste a una rielaborazione di stili che in questo periodo fanno tornare alla moda il trucco 60s, fine 70s e 80s, per un aspetto rock e neo gotico. Non mancano riferimenti etnici e neo barocchi.
Il look etnico anni ’70 viene rielaborato in un nuovo aspetto tribale e cibernetico.
In linea con la tendenza Cyber Punk nel 1994 esplode il colore che passa dai capelli al volto. La base resta sempre chiara, semplice, ma i toni rosa e azzurro accendono labbra, zigomi, palpebre.
So here we are in the second part related to the history of the 90s makeup. In this I analyze for you the story of the Make-Up of 1994, 1995, 1996.
There are several trends, the styles overlap, but there are some evident fixed points:
Minimalism advances, leading us to the year 2000, make-up becomes more natural, going towards Make-Up no Make-Up.
“Bon Chic Bon Genre” for an elegant appearance without excess.
Vintage reigns. We are witnessing a reworking of styles that in this period make the 60s, late 70s and 80s make-up return to fashion, for a rock and neo-Gothic look. There is no lack of ethnic and neo-baroque references.
The ethnic look of the 70s is transformed into an ethnic cinebernetic look.
In line with the Cyber Punk trend in 1994 the color that passes from hair to face explodes. The base is always clear, simple, but the pink and blue tones light up lips, cheekbones, eyelids.
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The actress Jodie Foster on the cover of Vanity Fair in May 1994, wears a typical make-up 1993 – 1994Fresh Look and natural red lipstick for Kate Moss on the cover of Elle Magazine Janury 1994One of the most iconic images of 1994 is that of the super model Eva Herzigova for Wonderbra. Beautiful, provocative look and sensual pose, her Make-Up has a vintage touch from the early 60s, in line with the trend of the first half of the 90spink is the trend for the summer of 1994. In this photo Kate Moss for Chanel spring summer ’94
Colorfull Make-up Vogue Italia March 1994. Pink is the new trend
“Hot Ice” makeup designed by Chanel. Very clear face, contrasting colors with mauve and peach pink eyelids and orange-coral lips, the blush is Joues Contraste Boule de FeuVery clear face and intense pink eyelid, blue hair. Make-Up recalls Cyber Punk atmospheres. Ph Satoshi Saikusa Vogue Italy March 1994Between Cyber and Manga this Make-Up for the summer of 1994, signed by Helena Rubinstein. Intense eyes with Black Burgundy mascara and icy pink eyeshadow, lips lit by an intense pink, the makeup appears fresh and fun overallAn explosion of pink for a Make-Up candy and cyber. Manga culture spreads in Europe, its aesthetics, combined with Cyber, gives birth to a new fashion. Ph Satoshi Saikusa Vogue Italy March 1994A tribal, ethnic and cyber look. The ethnic look of the 70s is transformed into an ethnic cinebernetic look. Faces with a clear make-up, colored pink in various shades, from which earrings and piercings stand out. Jean Paul Gaultier 1994. Ph Satoshi SaikusaNadja Auermann from the Jean Paul Gaultier ethnic collection, 1994. Ph Steven Meisel. The make-up extends to the arms and hands, decorated with Henné. Fashion that will explode in 1997. We will see it in my next post.Nadjia with a frash look who highlights her splendid face. Vogue Paris May 1994Nadja Auermann wears a particular Make-Up considering that we are in 1994. In fact, she reworked the neon atmospheres of the early 80s. Singer Kylie Minogue introduces a similar trick to her Confide in Me. Contrasts and intense shades, the trend for the autumn of 1994 “sophisticad lady”, for a super glamorous but also retro woman. There is so much color, so many shadows that give charm to the look, a very sexy shiny lipstick. The make-up is by François NarsA Make-Up that is a mix between the 70s and 80s, in line with all the typical revival of the 90s. This strong trick was part of what was called “techno fashion”. Vogue Italy July 1994And again Nadja with a strong Make-Up that reworks the late 70s, giving it a rock charm. On Harper’s Bazaar September 1994The revenge of Old Hollywood. Marlene Dietrich’s Make-Up revives through the supermodel Karen Mulder by Michael Thompson for Vogue Paris December 1994 – January 1995Peter Lindbergh “Amber Valletta en Marlene Dietrich” – 1995The Revival is trendy for all 90s. In January 1995 the supermodel Kristen McMenamy is photographed by Steven Meisel with a Make-Up that elaborates the Post PunkStill revival, we are in the fall winter 1995 and supermodel Eva Herzigova shows for Vivienne Westwood with a neo-baroque Make-Up60s atmospheres and revivals through Naomi Campbell in Anna Molinari. January 1995An iconic photo for Dolce & Gabbana. January 1995. Among the other models there are Monica Bellucci, Karen Mulder, Amber Valletta, Nadja Auermann, Isabella Rossellini, Helena Christensen, Shalom Harlow. Makeup is characterized by a minimal chic touch that the fashion house will never abandon.Carla Bruni settles the Make-Up. The “bon chic bon genre” style is a revival of the early 60’s, which the supermodel likes so much. September 1995, for Giorgio GratiIf in 1994 the nails follow the color of make-up and hair, in 1995 the black color explodes, in line with the minimaliso and the gothic lolita current. If in 1994 the nails follow the color of makeup and hair, in 1995 the black color explodes, in line with the minimalism and the gothic lolita current, the makeup was called “magnetic look”. Guy Laroche on Vogue Italy September 1995Mysterious, neo-Gothic, and Glam. The Magnetic Look becomes “Pure Black Graphic” and greatly anticipates Lady Gaga’s makeup. Fall Winter 1995 1996. On the right Lady Gaga pays homage to David Bowie with Orange Hair & Blue Eye MakeupAt GrammysMinimal like the brand she represents, Amber Valletta poses for Jil Sander, photographed by Craig McDean. Vogue Italia September 1995. The look is ready for what will be fashionable the following year, on the way to reaching the peak of minimalism.Golden powders, green tones that come down from the eyes and mark the cheekbones. An aspect ready for 2000. We are in April 1996. Ph by Craig McDean for Vogue Italia. T-shirt Prada. Model Amy WessonTotal minimal look. Ph Craig McDean for Vogue Italia April 1996A fresh and minimal look for the summer of 1996: clear face and lips, blue-rimmed eyes with a reworked smokey. Vogue Italy April 1996December 1996. The Chanel woman is refined, her face is clear, bright, almost absent, a silver powder on her hair makes her appear as coming from the very near 2000.
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